- What makes NVC hard? – June 2015
- Addiction and Reward: The Nucleus Accumbens and Empathy – April 2015
- Facilitation with Empathy: an Attachment Perspective – March 2015
- Breaking the Rules: Rebellion and Empathy – Teens and our Teenage Selves – February 2015
- Manipulation, Irritation and Delight: Empathy for Mysteries of the Left Hemisphere – January 2015
- Nuances of the On-Line Life: Technology Addiction, Video Games, Pornography and Empathy – October 2014
- Tears and Crying: IPNB and Empathy – August 2014
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A Dissertation: NOT JUST A FEELING ANYMORE: EMPATHY AND THE TEACHING OF WRITING
Empathy has been studied in composition since the 1960s, although it has not yet been adequately defined or theorized. Compositionists tend to employ the common definition of empathy as a feeling of identification with others using the familiar metaphor “walking in another’s shoes,” derived from the liberal-humanist therapeutic paradigm of Carl Rogers and Abraham Maslow, which assumes a universal and transparent human experience.
The purpose of this study is to develop a theoretical framework for empathy, answering the question: what is the function of empathy in the teaching of writing?
CHAPTER 1 THE FUNCTION OF EMPATHY IN COMPOSITION
- Introduction.
- What Is Empathy?.
- Toward a Theoretical Framework: Empathy and bell hooks‟ Engaged Pedagogy..
- A Word about Methodology.
- The Form.
- Conclusion
CHAPTER 2 EMPATHY IN COMPOSITION STUDIES: EMBRACED, IMPLIED,
DISDAINED..
- Introduction
- Empathy Embraced.
- Empathy Embraced in Classroom Practice…
- Empathy Embraced in Self-Disclosure
- Problems with Self-Disclosure
- Empathy Embraced in the Rogerian Argument
- Problems with Empathy in the Rogerian Argument
CHAPTER 3 EMPATHY IN OTHER FIELDS.
CHAPTER 4 A THEORY OF EMPATHY FOR COMPOSITION
CHAPTER 5 NEW DIRECTIONS FOR EMPATHY IN COMPOSITION STUDIES