It is a basic tenet of mainstream filmmaking that you want the audience to identify with your protagonist: to go on an emotional journey with them, to empathise with them. What, then, are the particular challenges filmmakers face when the protagonist is living with a mental illness?
Given the stigma that is still prevalent towards mental illness, how can filmmakers break down these barriers that inhibit the empathetic relationship between character and viewer?
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If sympathy suggests feeling for someone
(that is, feeling sorry for them),
empathy is distinguished by
feeling with them.
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by Fincina Hopgood